Live broadcasts from 1964 to 1968. Disc 1 1.Little Queenie 2. Cadillac 3.You Really Got Me, Recorded 7th September, 1964, Broadcast 19 September, 1964 Saturday Club, Playhouse Theatre, London. Producer - Bernie Andrews.4. I'm A Lover Not A Fighter 5.You Really Got Me 6.All Day And All Of The Night,Recorded 30th October, 1964, Broadcast 19th November, 1964 Top Gear, Playhouse Theatre, London. 7. I'm A Lover Not A Fighter 8. I've Got That Feeling 9. All Day And All Of The Night,Recorded 9th December, 1964, Broadcast 12th December, 1964 Saturday Club, Piccadilly Theatre Studios, London. Producer - Bernie Andrews.10. You Shouldn't Be Sad 11. Tired Of Waiting For You 12. Everybody's Gonna Be Happy, Recorded 20th April, 1965, Broadcast 24th April, 1965 ("Tired Of Waiting" Broadcast 28th May 1965) Saturday Club (Tired Of Waiting, Broadcast On Overseas Service, Top Of The Pops) Maida Vale Studios, London. 13. Hide And Seek 14. This Strange Effect 15. See My Friends,Recorded 6th August, 1965, Broadcast 30th August, 1965 You Really Got ... Aeolian Hall (Studio 1), London. Producer - Keith Bateson 16. Never Met A Girl Like You Before 17. Milk Cow Blues 18. Got My Feet On The Ground 19. Wonder Where My Baby Is Tonight,Recorded 10th August, 1965, Broadcast 4th September, 1965 Saturday Club, Playhouse Theatre, London. Producers - Jimmy Grant And Brian Wiley.20. A Well Respected Man 21. Where Have All The Good Times Gone 22. Till The End Of The Day 23. I Am Free,Recorded 13th December, 1965, Broadcast 18th December, 1965 Saturday Club, Playhouse Theatre, London. Producers - Jimmy Grant And Brian Wiley.24. Love Me Till The Sun Shines 25. Death Of A Clown 26. Good Luck Charm,Recorded 4th August, 1967, Broadcast 5th August, 1967 (Death Of A Clown) & 15th August, 1967 (Love Me Till The Sun Shines & Good Luck Charm),Saturday Club (Death Of A Clown) & Overseas Top Of The Pops (Love Me Till The Sun Shines & Good Luck Charm) Playhouse Theatre, London. Producer - Bill Bebb Disc 2 1. David Watts 2. Sunny Afternoon 3. Susannah's Still Alive 4. Mr. Pleasant 5. Harry Rag,Recorded 25th October, 1967, Broadcast 29th October, 1967 Top Gear, Maida Vale Studios, London. Producer - Bernie Andrews.6. Days 7. Love Me Till The Sun Shines 8. Waterloo Sunset,Recorded 1st July, 1968, Broadcast 7th July, 1968 Top Gear, Piccadilly Studios (No. 1) London. Producer - Bernie Andrews 9. Monica, Recorded 9th July, 1968, Broadcast 13th July, 1968 Saturday Club, Playhouse Theatre, London. Producer - Keith Bateson.10. The Village Green Preservation Society,Recorded 26th November, 1968, Broadcast 20th November, 1968 Saturday Club, Playhouse Theatre, London. Producer - Bill Bebb.11. You Really Got Me 12. Got Love If You Want It,TV Show, Beat Club, 1964 13. You Really Got Me 14. Tired Of Waiting For You,NNE Pollwinners Show, Recorded At The Empire Pool, Wembley, London, 11th April, 1965 15. Bye Bye Johnny 16. Louie,Louie 17.You Really Got Me 18.Got Love If You Want It 19. Long Tal
S**R
Sounds great - a lesson here for UMC
Having been left a bit cold by the sound of the 60's Kinks sessions I'd bought and heard so far, and noted the 'good recording' comment, I sought out samples of this CD set - and thought, wow, that does sound good.Some radio sessions even by the best acts can sound a little staid, spartan, as the time and effort (and recording standards) compared to that employed for their hit singles and albums will often be lesser. However there can be exceptions, and also very good alternatives to the more widely known takes of songs among BBC sessions. What can also let official releases of radio sessions down is 'as is' presentation. What often makes such sessions a more enjoyable listen is the analogue warmth from the old tape to tape recordings that circulated before the modern day releases of these sessions, or even a little reverb that bootleggers used to apply to such releases.This is ultimately a grey market release. But it sounds brilliant! UMC applied heavy compression to the official releases of the Kinks radio sessions, and otherwise the presentation was 'as is', at least it seemed that way - from the masters, just add compression in the mastering stage. Why? The loudness war was supposed to be over *years* ago! UMC, it's worth noting, did an even worse job on their first release of the classic 1972 Roxy Music radio sessions, ruining them, on the Roxy Music first album 2CD release. From 2018, after so much debate and peeling back on brickwalling. Or so we thought - they brickwalled it.So, here, on this Kinks mcps release, a mastering engineer has been allowed to take pride in their work, and present these radio sessions without too much compression, and a little reverb. It really does sound great, and involving.Radio session versions of All day and all of the night, This Strange Effect (wonderful here!), Susannah's Still Alive, Days, Waterloo Sunset and Monica, among many others really come alive here, and in some cases make equally good listening compared to the more polished full recordings the Kinks did.With regards to the quality, the majority of tracks up to track 10 on CD 2 sound great - just a couple were from lesser sources, then live TV performances from track 11 on cd2 onwards are slightly less clear.A great release, highly recommended.
C**R
quality Kinks
For live recording this excellent great quality record
A**J
Very Patchy
A very patchy prodcution, quality differs wildly
A**E
Klassic kinks
Loads of tracks good recording
C**A
El sonido es bueno
No se puede esperar más por un precio tan ajustado. Aprobado. El envío llegó antes de la fecha prevista.Excelente servicio.
S**G
Tummen upp!
Inte släppt av gruppen själv, men är ändå bra i sitt ljud och en väldigt kul lyssning.
M**T
Kinks live
Liveaufnahmen der Kinks aus ihrer besten Zeit.Technisch gute Aufnahmen einer der besten Bands der sechziger,gute Kaufempfehlung.
G**N
RADIO HISTORY.
I'm a Kinks fan. There is the BBC boxset out, that I love. You may want look at if you are a Kinks fan. The BBC recordings are great for the bands of the 60s in the UK. I wish Radio still did this sort of thing as much. Even in the U.S. there used to be shows every week that would play concerts or have bands in the studio to play. Nobody seems to do this anymore in the U.S. anyway on the radio (there is on the net somewhat), the BBC always did a better job on original music recordings and radio programs. The U.S. did have more freedom with public radio vs. BBC (they did have Pirate Radio). I'm very happy the tapes were made and on CD. I always pick up BBC CDs of historic or even currant bands when I can.
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